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In his introduction to the script, Bock suggests "that the sounds and lighting in the office be treated both as background and as character." Designers Ben Stanton (lights) and Robert Kaplowitz and Jeremy J. Lee (sound) and director Anne Kauffman are in keen agreement. The buzzing of the fluorescents, the clanking of pipes, the scratching of pencils, the ding and thrum of the elevator all create a sinister, layered atmosphere. Atop this, conversations churn and whirl and collide. - The Thugs (SoHo Rep) - Village Voice
Cruz's design collaborators are as illuminating as their director. ... Jeremy J. Lee's sound design marries haunting guitar, the whoosh of wind, the low chirp of crickets. - Anna In The Tropics (Coconut Grove Playhouse) - Miami Herald
The only highlight of Daughters of the Revolution is the outstanding multimedia work of Lighting and Projection Designer Alexander V. Nichols and seamless Sound Design by Jeremy J. Lee. - Continental Divide (Oregon Shakespeare Festival) - Online review
Jeremy Lee provides other-worldly sound with Doris, a custom-made instrument constructed of found metal and glass objects. - Fugitive Pieces (Salvage Vanguard Theatre) - Austin American-Statesman
...the whole production feels fresh and fully re-imagined, thanks in large part to the Maxfield Parrish-pastel landscapes created by designer William Bloodgood, lighting by Robert Peterson and sound design by Jeremy J. Lee. - The Tempest (Oregon Shakespeare Festival) - San Francisco Frontiers
"It begins with a couple of musicians noodling around, as a pianist notates his latest ragtime tune. And for the next three hours the delicious music and irrepressible energy of that era never let up... and the flawless sound design of Jeremy Lee--merits a long discussion all its own." Two Gentlemen of Verona (Chicago Shakespeare Theatre) - Chicago Sun Times; September 19, 2000
"Jeremy J. Lee's urban sound design is appropriately both playful and menacing." - Stop Kiss (OSF) - Rob Kendt/ Backstage West
"Lighting and sound designers Ann G. Wrightson and Jeremy J. Lee, respectively, provide a dandy storm." - Night of the Iguana (OSF)- Backstage West
"I'm happy to say that the music (and the overall sound, in general) within Cydonia is top-notch." ... "Sound: 9.5 - Both music and sound effects were very high quality." - Cydonia - by Peter Lux - Jumbo.com
"The whoosh of your hovercraft, the sound of the shells in the Whalesong Chamber, the reverberation of gongs ringing all lend authenticity to the experience. The hollow, tinny-sounding music early in the game is a grim reminder that you are alone on this planet." - Cydonia - Randy Sluganski - justadventure.com
"The graphics and sound are also very good." Cydonia - By DAN BILICKI -- The Toronto Sun; Wednesday, October 6, 1998
"Sound FX: 4 1/2 stars- The ambient sound effects in Lightbringer are incredibly effective.
Musical Score: 5 stars - The background score is downright awe-inspiring." - Cydonia - Bob Mandel - www.avault.com