
Misery by Stephen King, adapted by Simon Moore
- Directed by Emma Griffin
- Sets by Felix Cochren
- Costumes by Jessica Trejos
- Lights by Mark Barton
- Sound & Music by Jeremy J. Lee
- Produced by Syracuse Stage, Tim Bond Artistic Director
OK- so we all know the story of Misery. You get a writer of romantic fiction into a car crash, and have him saved by his “Number One Fan”. She turns out to be his savior and tormentor at the same time. Everyone remembers the “hobbling” scene with Kathy Bates.
But it turns out that this story makes for some pretty good theatre as well. I used Brahms’ String Sextet No 1 as “Misery’s Theme”, and manipulated the music throughout the play. We also got to play with some wonderful psychological sound design elements.
Misery’s Theme
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Reading Misery
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Misery’s Christmas
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Top of Act 2
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Water Music and Chapters
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Also, a shout out to the props department, that let me do this to their typewriter. I spent about 20 minutes bashing this into various things to get the right sound for the last fight. Fantastic!
The press also seemed to like it-
Lighting designer Mark Barton and sound designer Jeremy J. Lee pull out all the stops for the climactic scene in the second act of Misery…
In terms of production values, Misery is a Syracuse Stage landmark, among the most outstanding of recent years. Mark Barton’s lighting and Jeremy J. Lee’s sound design are important supporting players, and Jessica Trejos’ costume design reveals unspoken elements in Annie’s autobiography.
Syracuse New Times
Jeremy J. Lee’s sound designs call for special mention. They are almost a third character, creating the world outside the house that Paul cannot get to.
Syracuse Post Standard
… Mark Barton’s lighting and Jeremy J Lee’s sound really took the mood-creating cake here, with the freaky flickering lamps, the thunder and lightning, the weird buzzing reminiscent of backyard bug-lights.
House Lights on Syracuse.com





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